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    <loc>http://michelle-silva.squarespace.com/news/2026/8/7/e-flux-criticism-on-bruce-conner</loc>
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      <image:title>NEWS - e-flux Criticism: On Bruce Conner - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>http://michelle-silva.squarespace.com/news/2026/8/29/screen-slate-bruce-conner</loc>
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    <lastmod>2026-08-29</lastmod>
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      <image:title>NEWS - SCREEN SLATE: Bruce Conner - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>http://michelle-silva.squarespace.com/news/2018/6/6/art-seen-bruce-conners-work-make-bombhead-memorable</loc>
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    <lastmod>2018-06-06</lastmod>
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      <image:title>NEWS - ART SEEN: Bruce Conner's work make BOMBHEAD memorable</image:title>
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  <url>
    <loc>http://michelle-silva.squarespace.com/news/2018/6/6/frieze-around-town-manila-philippines</loc>
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    <priority>0.5</priority>
    <lastmod>2018-07-27</lastmod>
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      <image:title>NEWS - FRIEZE | Around Town: Manila, Philippines</image:title>
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  <url>
    <loc>http://michelle-silva.squarespace.com/news/2018/3/13/martin-herberts-pick-of-march-exhibitions-bellas-artes-projects</loc>
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    <lastmod>2018-07-27</lastmod>
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      <image:title>NEWS - ART REVIEW | Martin Herbert’s pick of March exhibitions, Bellas Artes Projects</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2018/3/13/the-new-yorker-bruce-conner-report-and-marilyn-times-five</loc>
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    <priority>0.5</priority>
    <lastmod>2018-06-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1520987440873-BAI54FFJ808HY56KG1Q0/28061288_1369722646466760_9152770576418617104_o.jpg</image:loc>
      <image:title>NEWS - The New Yorker | Bruce Conner: REPORT and MARILYN TIMES FIVE</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2018/7/24/art-agenda-thomas-dane-gallery-inaugural-exhibition</loc>
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    <priority>0.5</priority>
    <lastmod>2018-07-25</lastmod>
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  <url>
    <loc>http://michelle-silva.squarespace.com/news/2017/11/17/e-flux-bruce-conner-forever-and-always</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1514528594532-YLLNOAXBUZ2CDHEN4T9D/Screen+Shot+2017-12-28+at+10.22.50+PM.png</image:loc>
      <image:title>NEWS - e-flux | BRUCE CONNER: FOREVER AND ALWAYS</image:title>
      <image:caption>Bruce Conner, THREE SCREEN RAY (2006, Three-channel video installation, b&amp;w/sound, 5:23 minutes); Courtesy Kohn Gallery and Conner Family Trust; © Conner Family Trust, San Francisco</image:caption>
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  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2017/11/6/insider-louisville-the-speed-art-museum-welcomes-exhibition-bruce-conner-forever-and-ever</loc>
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    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1510245837809-O8IKQJP1JC038XJGX8ER/Screen+Shot+2017-11-09+at+8.41.23+AM.png</image:loc>
      <image:title>NEWS - Insider Louisville | The Speed Art Museum welcomes exhibition BRUCE CONNER: FOREVER AND EVER</image:title>
      <image:caption>Bruce Conner, THREE SCREEN RAY (2006, three-channel video installation, b&amp;w/sound, 5min. 23sec.); Courtesy Kohn Gallery, Los Angeles; Courtesy Conner Family Trust; © Conner Family Trust, San Francisco.</image:caption>
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  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2017/10/24/artnews-the-four-horsemen-of-americas-apocalypse-their-work-unearths-the-seething-muck-beneath-the-shiny-surface-of-american-culture</loc>
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    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1509641376537-0PF32WRFWJSQ2Z1FDUDV/Screen+Shot+2017-11-02+at+9.49.01+AM.png</image:loc>
      <image:title>NEWS - ARTNEWS | The Four Horsemen of America’s Apocalypse: Their Work Unearths the Seething Muck Beneath the Shiny Surface of American Culture</image:title>
      <image:caption>Bruce Conner, CROSSROADS (1976, 35mm, b&amp;w/sound, 37min.); © Conner Family Trust, San Francisco</image:caption>
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  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2017/6/28/bruce-conners-a-movie-extended-until-15-july-2017at-thomas-dane-gallery</loc>
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    <lastmod>2018-01-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1498673850607-83STK3SWGZVMMGIX763R/unnamed.jpg</image:loc>
      <image:title>NEWS - Bruce Conner's A MOVIE: Extended until July 15th at Thomas Dane Gallery</image:title>
      <image:caption>Installation of A MOVIE, Thomas Dane Gallery, May 6th – July 15th,  2017; © Conner Family Trust, San Francisco; Courtesy of Thomas Dane Gallery, London</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2018/7/28/hyperallergic-a-celebration-of-the-rat-bastards</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1532754984130-6RMQBOVX963VJ9JTOC3Y/Rat-Bastard-Installation-2.jpg</image:loc>
      <image:title>NEWS - HYPERALLERGIC: A Celebration of the Rat Bastards</image:title>
      <image:caption>Installation view of “RAT BASTARD PROTECTIVE ASSOCIATION” (2017), Susan Inglett, New York (all images courtesy Susan Inglett gallery)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2017/5/12/the-guardian-this-weeks-best-uk-exhibitions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1494627407778-YTLWUUQCV7UO90PWK4QF/image-asset.png</image:loc>
      <image:title>NEWS - THE GUARDIAN | Pink Floyd, Bruce Conner and Anthony Caro: this week’s best UK exhibitions</image:title>
      <image:caption>Installation of A MOVIE, Thomas Dane Gallery, May 6th – July 15th,  2017; © Conner Family Trust, San Francisco; Courtesy of Thomas Dane Gallery, London</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2017/2/21/exhibiting-bruce-conner-rudolf-frieling-and-gary-garrels-discuss-bruce-conners-work-and-influence</loc>
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    <priority>0.5</priority>
    <lastmod>2018-01-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1487709142725-E0F611CSSLDBZ1N3FNDX/image-asset.png</image:loc>
      <image:title>NEWS - Rudolf Frieling and Gary Garrels discuss Bruce Conner's work and influence for opening of IT'S ALL TRUE at Museo Reina Sofía | February 22, 2017 @ 7:00 p.m.</image:title>
      <image:caption>Bruce Conner, CROSSROADS (1976, 35mm, b&amp;w/sound, 37 min.); San Francisco Museum of Modern Art (Accessions Committee Fund purchase) and the Museum of Modern Art, New York, with the generous support of the New Art Trust; © Conner Family Trust, San Francisco</image:caption>
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  <url>
    <loc>http://michelle-silva.squarespace.com/news/2017/1/31/artnews-crossroads-included-in-momas-recent-acquisitions</loc>
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    <priority>0.5</priority>
    <lastmod>2017-01-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1485894253469-K9CZ6HN4XFFAY147T64A/image-asset.png</image:loc>
      <image:title>NEWS - ARTNEWS | CROSSROADS Included In MOMA's Recent Acquisitions</image:title>
      <image:caption>Bruce Conner, Crossroads (promotional still), 1976, black-and-white 35mm film with sound, transferred to video, 37 minutes. ©CONNER FAMILY TRUST/COURTESY CONNER FAMILY TRUST/THE MUSEUM OF MODERN ART, PURCHASE</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2017/1/14/the-mercury-news-dont-wait-these-powerful-bay-area-museum-shows-close-soon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1484427787012-IKQH6IVTD219EFV7WNLD/image-asset.png</image:loc>
      <image:title>NEWS - THE MERCURY NEWS | Don’t wait: These powerful Bay Area museum shows close soon</image:title>
      <image:caption>Bruce Conner’s CROSSROADS (1976, 35mm, b&amp;w/sound, 37min.), is featured in the exhibition Bruce Conner: IT'S ALL TRUE at SFMOMA through Jan. 22; © Conner Family Trust, San Francisco</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2017/1/6/coming-soon-valse-triste</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1483730914452-BL9L3FKXU2F18RIJC35T/VALSE+TRISTE_Kansas+sign.jpg</image:loc>
      <image:title>NEWS - SFMOMA | Coming Soon: VALSE TRISTE</image:title>
      <image:caption>Bruce Conner, VALSE TRISTE (1978, 16mm, sepia/sound, 5min.); Courtesy Conner Family Trust, San Francisco; © Conner Family Trust, San Francisco.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2017/1/5/sfmoma-bruce-and-i-by-patrick-gleeson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1483660123473-2I6HMVSAR7XCNXGXAHWY/image-asset.png</image:loc>
      <image:title>NEWS - SFMOMA | Bruce and I by Patrick Gleeson</image:title>
      <image:caption>Bruce Conner, KNOX, 1963 Mixed media Dallas Museum of Art, Dallas; TWO x TWO for AIDS and Art Fund; © Conner Family Trust, San Francisco / Artists Rights Society (ARS), New York</image:caption>
    </image:image>
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  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/12/29/sfmoma-soundtrack-of-take-the-510-to-dreamland-by-patrick-gleeson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1483057976198-0YE6R84X23KJL1GL5D7U/image-asset.png</image:loc>
      <image:title>NEWS - SFMOMA | The Soundtrack of TAKE THE 5:10 TO DREAMLAND by Patrick Gleeson</image:title>
      <image:caption>Bruce Conner, TAKE THE 5:10 TO DREAMLAND (1977, 16mm, sepia/sound, 5min. 10sec.); Courtesy Conner Family Trust, San Francisco; © Conner Family Trust, San Francisco</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/12/16/artforum-i-best-of-2016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1481937455290-HHYW8DB02HM3FAKQ9T55/conner_artforum_best2016-4_Page_1.jpg</image:loc>
      <image:title>NEWS - ARTFORUM | BEST OF 2016</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1483479316508-0MB8O59PHXJIB2RJ2BSI/conner_artforum_best2016-crop_Page_2.jpg</image:loc>
      <image:title>NEWS - ARTFORUM | BEST OF 2016</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1483479584308-40AEMFA5K0R1BEG1CK1L/conner_artforum_best2016-crop_Page_3.jpg</image:loc>
      <image:title>NEWS - ARTFORUM | BEST OF 2016</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1483479495828-HZP8W19WEY8Z4WVB1NBJ/image-asset.jpeg</image:loc>
      <image:title>NEWS - ARTFORUM | BEST OF 2016</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/12/8/madrid-its-all-true-bruce-conner</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1481231787177-TNQ9C65GMXP47N0FO6EV/image-asset.png</image:loc>
      <image:title>NEWS - ¡MADRID!  | It’s All True. Bruce Conner</image:title>
      <image:caption>SPIDER LADY HOUSE, 1959 Wood, nylon, ice skate, doll parts, string, costume jewelry, feathers, fur, bottle caps, wallpaper, and paper on plywood Collection Oakland Museum of California; Gift of the Collectors Gallery and the National Endowment for the Arts; © Conner Family Trust, San Francisco, California / Artists Rights Society (ARS), New York, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/11/18/the-art-newspaper-a-uniquely-powerful-force-kenneth-baker-on-bruce-conner-at-sfmoma</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1479530788502-CUS7CS0MM0IRI5KED34N/image-asset.jpeg</image:loc>
      <image:title>NEWS - THE ART NEWSPAPER | A uniquely powerful force: Kenneth Baker on Bruce Conner at SFMoMA</image:title>
      <image:caption>Bruce Conner, CROSSROADS (1976, 35mm, b&amp;w/sound, 37min.); © Conner Family Trust, San Francisco</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/11/17/blouin-artinfo-total-environment-total-consciousness-at-anglim-gilbert-gallery-san-francisco</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1479423751377-1F7EC1V9KU1ZDIDBQF5S/Screen+Shot+2016-11-17+at+3.01.20+PM.png</image:loc>
      <image:title>NEWS - BLOUIN ARTINFO | ‘Total Environment, Total Consciousness’ at Anglim Gilbert Gallery, San Francisco</image:title>
      <image:caption>Installation view of Bruce Conner: Total Environment, Total Consciousness, Anglim Gilbert Gallery, 2016; © Conner Family Trust, San Francisco; Courtesy Anglim Gilbert Gallery, San Francisco</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/12/2/huffington-post-how-artists-survive-they-become-rat-bastards</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1482639790083-SO0Y4TZQQU6IHLHDGFCR/image-asset.png</image:loc>
      <image:title>NEWS - HUFFINGTON POST | How Artists Survive: They Become Rat Bastards</image:title>
      <image:caption>© BRUCE CONNER FAMILY TRUST, SAN FRANCISCO/ARTISTS RIGHTS SOCIETY (ARS), NEW YORK; Back of the “Rat Bastard Protective Ass’n” stamp, created ca. 1957-58.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/11/16/san-francisco-chronicle-smaller-bruce-conner-exhibits-not-to-be-missed</loc>
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    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1479425330409-1O58MSJMVULISLP4HWSX/Total+Enviroment+%40+AGG.jpg</image:loc>
      <image:title>NEWS - SAN FRANCISCO CHRONICLE | Smaller Bruce Conner exhibits not to be missed</image:title>
      <image:caption>A selection of small, framed inkblot drawings by Bruce Conner are on view at Anglim Gilbert Gallery in S.F. through Dec. 3.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/11/11/the-stanford-daily-exhibit-bruce-conners-its-all-true-is-destructive-brilliant-and-everything-in-between</loc>
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    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1478906232934-JK50IGYQH7HXJG2CQPXP/AL.111116.BruceConner.jpg</image:loc>
      <image:title>NEWS - THE STANFORD DAILY | Exhibit: Bruce Conner’s ‘It’s All True’ is destructive, brilliant and everything in between</image:title>
      <image:caption>Bruce Conner, MEXICO COLLAGE, 1962; netting, paper, paint, ink stamps, fringe, bell, and costume jewelry on Masonite; 23 × 32 × 5 in. (58.4 × 81.3 × 12.7 cm); di Rosa Collection, Napa, California; © Conner Family Trust, San Francisco / Artists Rights Society (ARS), New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/11/9/artnet-news-apocalypse-now-like-the-election-conners-nuclear-test-film-at-the-whitney-reveals-the-pleasure-we-take-in-destruction</loc>
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    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1478847840778-JP7VTEXX3MYF6B3HX3JE/image-asset.jpeg</image:loc>
      <image:title>NEWS - artnet NEWS | Apocalypse Now? Like the election, Conner's nuclear-test film at the Whitney reveals the pleasure we take in destruction.</image:title>
      <image:caption>Bruce Conner, CROSSROADS (1976, 35mm, b&amp;w/sound, 37min.); © Conner Family Trust, San Francisco</image:caption>
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  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/11/9/blouin-artinfo-bruce-conners-dennis-hopper-one-man-show-1971-73-at-senior-shopmaker-gallery</loc>
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      <image:title>NEWS - BLOUIN ARTINFO | Bruce Conner’s 'Dennis Hopper One Man Show, 1971-73' at Senior &amp; Shopmaker Gallery</image:title>
      <image:caption>Bruce Conner DHOMS Vol. II: No. II, 1972 Photoetching © Conner Family Trust, San Francisco / Artists Rights Society (ARS), New York  </image:caption>
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  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/11/8/the-mercury-news-sfmoma-fetes-category-defying-bay-area-artist-bruce-conner</loc>
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      <image:title>NEWS - THE MERCURY NEWS | SFMOMA fetes category-defying Bay Area artist Bruce Conner</image:title>
      <image:caption>Bruce Conner’s CROSSROADS (1976), a 35-mm movie, combines some of the film shot by 700 cameras that recorded the U.S. nuclear bomb test on Bikini Atoll in the South Pacific in 1946. It is featured in Bruce Conner: IT'S ALL TRUE; © Conner Family Trust, San Francisco</image:caption>
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  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/11/7/sfist-a-retrospective-of-bruce-conners-mesmerizing-work-is-now-at-sfmoma</loc>
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    <lastmod>2018-01-06</lastmod>
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      <image:title>NEWS - SFist | A Retrospective Of Bruce Conner's Mesmerizing Work Is Now At SFMOMA</image:title>
      <image:caption>Bruce Conner, CROSSROADS (1976, 35mm, b&amp;w/sound, 37min.); Collection SFMOMA, Accessions Committee Fund purchase, and the Museum of Modern Art, New York, with the generous support of the New Art Trust; © Conner Family Trust, San Francisco</image:caption>
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  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/11/5/sfmoma-online-screening-bruce-conner</loc>
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    <lastmod>2018-01-06</lastmod>
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      <image:title>NEWS - SFMOMA | Online Screening: Bruce Conner</image:title>
      <image:caption>Bruce Conner, New York Film Festival poster, 1965; Collection of Steven Fama; © Conner Family Trust, San Francisco / Artists Rights Society (ARS), New York; Photo: Ben Blackwell</image:caption>
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  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/11/3/the-bay-area-reporter-bruce-conners-walk-on-the-dark-side</loc>
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    <lastmod>2018-01-06</lastmod>
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      <image:title>NEWS - THE BAY AREA REPORTER | Bruce Conner's walk on the dark side</image:title>
      <image:caption>Bruce Conner, SPIDER LADY NEST, 1959 Wood box with aluminum paint, spray paint, window shade, nylon, thread, fabric, fur, lead customs seal on string, pearl bead, cotton ball, feathers, tassels, and cardboard Courtesy of Yale University Art Gallery; © Conner Family Trust, SF/Artists Rights Society (ARS), New York</image:caption>
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  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/11/3/the-sacramento-bee-witty-harrowing-work-of-artist-bruce-conner-approaches-greatness</loc>
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    <lastmod>2018-01-06</lastmod>
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      <image:title>NEWS - THE SACRAMENTO BEE | Witty, harrowing work of artist Bruce Conner approaches greatness</image:title>
      <image:caption>BLACK DAHLIA, 1960 Cut and pasted printed papers, feather, fabric, rubber tubing, razor blade, nails, tobacco, sequins, string, shell, and paint encased in nylon stocking over wood The Museum of Modern Art, New York; Hillman Periodicals Fund (by exchange); © Conner Family Trust, San Francisco, California / Artists Rights Society (ARS), New York, New York</image:caption>
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  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/10/31/forbes-see-how-radical-artist-bruce-conner-set-the-stage-for-mtv-at-this-blockbuster-sfmoma-retrospective</loc>
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    <lastmod>2018-01-06</lastmod>
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      <image:title>NEWS - FORBES | See How Radical Artist Bruce Conner Set The Stage For MTV At This Blockbuster SFMOMA Retrospective</image:title>
      <image:caption>Bruce Conner, BREAKAWAY (1966, 16mm, b&amp;w/sound, 5 min.); Courtesy San Francisco Museum of Modern Art, Accessions Committee Fund purchase; © Conner Family Trust, San Francisco</image:caption>
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  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/11/2/san-francisco-chronicle-i-sfmomas-retrospective-exhibition-of-bruce-conner-close-and-far</loc>
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    <lastmod>2018-01-06</lastmod>
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      <image:title>NEWS - SAN FRANCISCO CHRONICLE | SFMOMA’s retrospective exhibition of Bruce Conner, close and far</image:title>
      <image:caption>Bruce Conner, MEXICO COLLAGE, 1962 Netting, paper, paint, ink stamps, fringe, bell, and costume jewelry on Masonite di Rosa Collection, Napa, California; © Conner Family Trust, San Francisco, California / Artists Rights Society (ARS), New York, New York</image:caption>
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  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/11/2/sfgate</loc>
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    <lastmod>2018-01-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1478089417682-D2AEM9P277JYLW2LDZYJ/image-asset.jpeg</image:loc>
      <image:title>NEWS - SFGATE | Masterworks found in every gallery of Bruce Conner retrospective</image:title>
      <image:caption>PARTITION (front), 1961-63; wood partition with nylon, fringe, costume jewelry, artificial flowers, fabric, paint, string, straw-hat fragment, metal, mirrors, maraca, paper collage, paper, feathers, metal foil, wax, and tinsel; three panels; Collection Centre Pompidou, Paris, France; © Conner Family Trust, San Francisco, California / Artists Rights Society (ARS), New York, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/11/2/kqed-arts-bruce-conner-artist-who-twice-declared-himself-dead-lives-on-at-sfmoma</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1478088108736-7GGIPYH7TATLJZAFP4ML/image-asset.jpeg</image:loc>
      <image:title>NEWS - KQED ARTS | Bruce Conner, Artist who Twice Declared Himself Dead, Lives on at SFMOMA</image:title>
      <image:caption>Dagny Janss and Bruce Conner BRUCE CONNER for SUPERVISOR, 1967 Two color screen print Collection San Francisco Museum of Modern Art, Gift of Michael Kohn, © Conner Family Trust, San Francisco / Artists Rights Society (ARS), New York</image:caption>
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  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/10/27/kqed-arts-cy-and-davids-picks</loc>
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    <lastmod>2018-01-06</lastmod>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/10/26/sf-weekly-negative-trend-chaser</loc>
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    <lastmod>2018-01-06</lastmod>
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      <image:title>NEWS - SF WEEKLY | NEGATIVE TREND CHASER</image:title>
      <image:caption>Bruce Conner, Double Angel, 1991/2004; © Conner Family Trust, San Francisco; Courtesy of Anglim Gilbert Gallery, San Francisco</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/11/2/sfgate-the-uncategorizable-bruce-conner-at-sfmoma</loc>
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    <lastmod>2018-01-06</lastmod>
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      <image:title>NEWS - SFGATE | The uncategorizable Bruce Conner @ SFMOMA</image:title>
      <image:caption>Jean Conner, widow of the late multi-media artist Bruce Conner, in front of his artwork at SFMOMA on Friday, October 7, 2016 in San Francisco, California</image:caption>
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  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/10/4/brooklyn-rail-bruce-conner-its-all-true</loc>
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    <lastmod>2018-01-06</lastmod>
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      <image:title>NEWS - BROOKLYN RAIL | Bruce Conner: It's All True</image:title>
      <image:caption>Bruce Conner, CHILD, 1959-1960; Wax, nylon, cloth, metal, twine, and high chair; Collection Museum of Modern Art, New York; Gift of Philip Johnson; © Conner Family Trust, San Francisco, California / Artists Rights Society (ARS), New York, New York; Photo: John Wronn.</image:caption>
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  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/9/16/bruce-conner-in-artforum</loc>
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    <lastmod>2018-01-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1478091660781-PU894KJ4GESDTEGP8EEP/image-asset.jpeg</image:loc>
      <image:title>NEWS - ARTFORUM | Shine A Light: The Art of Bruce Conner</image:title>
      <image:caption>Bruce Conner, THREE SCREEN RAY, (2006, three-channel video installation, b&amp;w/sound, 5min. 23sec.); Installation view, Museum of Modern Art, New York, 2016; © Conner Family Trust, San Francisco; Photo: Martin Seck</image:caption>
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  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/9/16/new-yorker-bruce-conners-crusade-of-reinvention</loc>
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    <lastmod>2018-01-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1474073265189-TP0FXODH034W8RHQLZN6/image-asset.jpeg</image:loc>
      <image:title>NEWS - THE NEW YORKER | BRUCE CONNER’S CRUSADE OF REINVENTION</image:title>
      <image:caption>A detail from Bruce Conner’s 16mm film BREAKAWAY (1966), featuring an incandescent performance by the then twenty-three-year-old Toni Basil; © Conner Family Trust, San Francisco; Courtesy Conner Family Trust, San Francisco</image:caption>
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  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/7/27/crave-see-the-first-complete-retrospective-of-americas-premier-avant-guardian-bruce-conner</loc>
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    <lastmod>2018-01-06</lastmod>
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      <image:title>NEWS - CRAVE | See the first complete retrospective of America’s premier avant-guardian, Bruce Conner</image:title>
      <image:caption>Bruce Conner, CROSSROADS (1976, 35mm film, b&amp;w/sound, 37min.); Collection of The Museum of Modern Art, New York and San Francisco Museum of Modern Art (Accessions Committee Fund purchase), with the generous support of the New Art Trust; © Conner Family Trust, San Francisco; Courtesy Conner Family Trust, San Francisco</image:caption>
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  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/7/26/the-wall-street-journal-bruce-conner-its-all-true-review-placing-his-dark-visions</loc>
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    <lastmod>2018-01-06</lastmod>
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      <image:title>NEWS - THE WALL STREET JOURNAL | ‘Bruce Conner: It’s All True’ Review: Placing His Dark Visions</image:title>
      <image:caption>Bruce Conner, CHILD, 1959-1960 Wax, nylon, cloth, metal, twine, and high chair Collection Museum of Modern Art, New York; Gift of Philip Johnson; © Conner Family Trust, San Francisco, California / Artists Rights Society (ARS), New York, New York</image:caption>
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  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/7/24/financial-times-bruce-conner-its-all-true-museum-of-modern-art-new-york</loc>
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    <lastmod>2018-01-06</lastmod>
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      <image:title>NEWS - FINANCIAL TIMES | Bruce Conner: It’s All True, Museum of Modern Art, New York</image:title>
      <image:caption>Bruce Conner, BOMBHEAD, 1989; © Conner Family Trust, San Francisco / Artists Rights Society (ARS), New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/7/19/the-village-voice-a-man-swallows-the-world-bruce-conners-jumbled-truth-rages-on-at-moma</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1478088657641-0BTJWUURVGGWO19AG5CU/art_07201016_haslett_crossroads_courtesy_conner_family_trust.jpg</image:loc>
      <image:title>NEWS - THE VILLAGE VOICE | A Man Swallows the World: Bruce Conner's Jumbled Truth Rages On at MoMA</image:title>
      <image:caption>Bruce Conner, CROSSROADS (1976); © Conner Family Trust, San Francisco; Courtesy Conner Family Trust, San Francisco</image:caption>
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  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/9/16/the-new-york-review-of-books-the-creepy-world-of-bruce-conner</loc>
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    <lastmod>2018-01-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1474073565402-DJ8CFYK9F3VO7GJBOE05/image-asset.jpeg</image:loc>
      <image:title>NEWS - THE NEW YORK REVIEW OF BOOKS | The Creepy World of Bruce Conner</image:title>
      <image:caption>Bruce Conner, BREAKAWAY (1966, 16mm, b&amp;w/sound, 5min.); © Conner Family Trust, San Francisco</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/7/9/hyperallergic-an-artist-who-possessed-a-third-eye</loc>
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    <lastmod>2018-01-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1478089146786-9PBMDLONGUQS83GH0UYD/moma_conner_untitledfrommandalaseries_ct2538.06_x2016.jpg</image:loc>
      <image:title>NEWS - HYPERALLERGIC | An Artist Who Possessed a Third Eye</image:title>
      <image:caption>Bruce Conner, “UNTITLED” from “MANDALA SERIES” (1965); felt-tip pen on paper; 10 1/16 x 10 1/16 inches; The Morgan Library &amp; Museum, New York; © Conner Family Trust, San Francisco / Artists Rights Society (ARS), New York; Photo: Stefan Kirkeby Photography</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/9/16/the-art-newspaper-i-moma-breathes-life-into-bruce-conners-gas-chamber-sculpture</loc>
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    <lastmod>2018-01-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1476334702039-B90N8B2KJHJHS7036L3Y/image-asset.jpeg</image:loc>
      <image:title>NEWS - THE ART NEWSPAPER | MoMA breathes life into Bruce Conner’s gas chamber sculpture</image:title>
      <image:caption>CHILD (1959-60) was already in poor condition when it entered MoMA’s collection in 1970. Although in the mid-1990s Bruce Conner advised conservators on his original methods and materials, it wasn’t until 2014 that a concerted conservation plan was initiated. John Wronn/MoMA; © Conner Family Trust, San Francisco</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1474074820855-TA1NHNF7FUZ1A2DCQBJI/image-asset.jpeg</image:loc>
      <image:title>NEWS - THE ART NEWSPAPER | MoMA breathes life into Bruce Conner’s gas chamber sculpture</image:title>
      <image:caption>Bruce Conner, CHILD (1959-60), with 1996 annotations by Conner. Image courtesy of MoMA, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/9/16/bruce-conners-time-bombs-hit-moma</loc>
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    <lastmod>2018-01-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1474072281795-36SO7D92U2M2C02KV4TE/image-asset.jpeg</image:loc>
      <image:title>NEWS - THE WALL STREET JOURNAL | Bruce Conner’s ‘Time Bombs’ Hit MoMA</image:title>
      <image:caption>Bruce Conner, BOMBHEAD (2002); © Conner Family Trust, San Francisco/Artists Rights Society (ARS), New York/The Museum of Modern Art, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/9/16/bruce-conners-darkness-that-defies-authority</loc>
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    <lastmod>2018-01-06</lastmod>
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      <image:title>NEWS - NEW YORK TIMES | Bruce Conner’s Darkness That Defies Authority</image:title>
      <image:caption>A visitor watching the film CROSSROADS, part of the Bruce Conner retrospective at the Museum of Modern Art; © Conner Family Trust, San FranciscoArtists Rights Society (ARS), New York; Santiago Mejia/The New York Times</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1474070958068-MG0HRQFCUD6FSQ01JLM9/image-asset.jpeg</image:loc>
      <image:title>NEWS - NEW YORK TIMES | Bruce Conner’s Darkness That Defies Authority</image:title>
      <image:caption>A scene from “A MOVIE” (1958) by Bruce Conner; © Conner Family Trust, San FranciscoArtists Rights Society (ARS), New York; Santiago Mejia/The New York Times</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/6/28/artsy-countercultural-icon-and-father-of-the-music-video-bruce-conner-gets-his-due-in-new-york</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1478088349490-J65IB9IV0DLARG5S9TDR/image-asset.png</image:loc>
      <image:title>NEWS - ARTSY | Countercultural Icon and “Father of the Music Video” Bruce Conner Gets His Due in New York</image:title>
      <image:caption>Bruce Conner, BURNING BRIGHT, 1996 Ink on paper mounted on board Collection San Francisco Museum of Modern Art. Accessions Committee Fund: gift of the Gerson and Barbara Bakar Philanthropic Fund, Collectors' Forum, Diane and Scott Heldfond, Patricia and Raoul Kennedy, Byron R. Meyer, Phyllis and Stuart G. Moldaw, Madeleine H. Russell, Chara Schreyer, Elle Stephens, Norah and Norman Stone, and Phyllis C. Wattis, © Conner Family Trust / Artists Rights Society (ARS), New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/7/20/broadway-world-moma-to-present-bruce-conner-its-all-true-exhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1515217954102-J2YZ4QMQZ88PL45ZKLSA/CROSSROADS_2+copy.jpg</image:loc>
      <image:title>NEWS - BROADWAY WORLD | MoMA to Present BRUCE CONNER: IT'S ALL TRUE Exhibition</image:title>
      <image:caption>Bruce Conner, CROSSROADS (1976, 35mm, b&amp;w/sound, 37min.); © Conner Family Trust, San Francisco</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2016/6/16/the-art-newspaper-the-gospel-according-to-bruce-conner-on-the-artists-show-at-paula-cooper-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1478118688889-FAVFSPUYL0O9ZUDOY82T/image-asset.jpeg</image:loc>
      <image:title>NEWS - THE ART NEWSPAPER | The gospel according to Bruce Conner: on the artist's show at Paula Cooper Gallery</image:title>
      <image:caption>Bruce Conner, CHRIST CASTING OUT THE LEGION OF DEVILS (2003). © Conner Family Trust, San Francisco/Artists Rights Society (ARS); Courtesy of Magnolia Editions, Oakland and Paula Cooper Gallery, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2015/6/30/forbes-last-chance-bruce-conner-at-paula-cooper-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1476336003030-DGVZSQF5Q0ZVY60GQQNA/image-asset.jpeg</image:loc>
      <image:title>NEWS - FORBES | Last Chance: Bruce Conner @ Paula Cooper Gallery</image:title>
      <image:caption>Bruce Conner, “TONI BASIL IN FRONT OF MABUHAY GARDENS,” 1978; © Conner Family Trust, San Francisco / Artists Rights Society (ARS); Photo: Steven Probert</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2015/6/24/the-guardian-horribly-compelling-bruce-conners-nuclear-test-film-still-holds-us-in-rapture</loc>
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    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1477550231357-5QR6CGH2C4QAJ6B66G5J/image-asset.jpeg</image:loc>
      <image:title>NEWS - THE GUARDIAN | Horribly compelling: Bruce Conner's nuclear test film still holds us in rapture</image:title>
      <image:caption>Bruce Conner, CROSSROADS (1976, 35mm, b&amp;w/sound, 37min.); © Conner Family Trust, San Francisco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1477550376983-EGW10ZRIMFXNLIB7TCN4/image-asset.jpeg</image:loc>
      <image:title>NEWS - THE GUARDIAN | Horribly compelling: Bruce Conner's nuclear test film still holds us in rapture</image:title>
      <image:caption>The cloud rose eight miles above earth … a scene from Bruce Conner’s film CROSSROADS (1976, 35mm, b&amp;w/sound, 37min.); © Conner Family Trust, San Francisco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1477550322904-Q62DP3DPS1CRQXB6PXY0/image-asset.jpeg</image:loc>
      <image:title>NEWS - THE GUARDIAN | Horribly compelling: Bruce Conner's nuclear test film still holds us in rapture</image:title>
      <image:caption>Viewed from every angle … ships surround the explosion at Bikini atoll. Still from Bruce Conner's CROSSROADS (1976, 35mm, b&amp;w/sound, 37min.); © Conner Family Trust, San Francisco</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2015/6/5/artforum-critics-pick-bruce-conner-paula-cooper-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1433544086708-JUHH0RWC6OU7ZSE98B3H/image-asset.jpeg</image:loc>
      <image:title>NEWS - ARTFORUM | Critics' Pick: Bruce Conner @ Paula Cooper Gallery</image:title>
      <image:caption>Bruce Conner, 27 PUNK PHOTOS: 08, Amy, 1978; Gelatin silver print; 13 x 8 3/4”; © Conner Family Trust, San Francisco</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2015/6/4/hyperallergic-a-few-reasons-why-poets-love-bruce-conner</loc>
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    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1477550916103-FSXED2XUP0NM7ZQD2PLR/image-asset.jpeg</image:loc>
      <image:title>NEWS - HYPERALLERGIC | A Few Reasons Why Poets Love Bruce Conner</image:title>
      <image:caption>Bruce Conner, “CARDINALE GIBBONS, ARCHBISHOP OF BALTIMORE, JULY 27, 1990” (1990); engraving collage; 7 1/4 x 4 7/8 inches; © Conner Family Trust, San Francisco / Artists Rights Society [ARS]; Courtesy Paula Cooper Gallery, New York; Photo: Steven Probert</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2015/4/10/sf-gate-bruce-conners-many-editions-of-self-in-san-jose</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1429666814813-4TAPDDZ09SVN0I5LKSHI/image-asset.jpeg</image:loc>
      <image:title>NEWS - SF GATE | Bruce Conner's Many Editions of Self in San Jose</image:title>
      <image:caption>“Dark Leaf” (2001), left, lithograph on paper by Anonymous (pseudonym of Bruce Conner), and “The Dennis Hopper One Man Show, Volume I” (1971), etching on paper by Conner (total eight etchings and title page), are part of “Somebody Else’s Prints"; © Conner Family Trust, San Francisco</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2015/4/10/yes-glue-a-half-century-of-collage-by-bruce-and-jean-conner</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1431131820442-ETM7SW2WNCX2I697YX0U/image-asset.jpeg</image:loc>
      <image:title>NEWS - KATZEN ARTS CENTER | YES! Glue: A Half Century of Collage by Bruce and Jean Conner</image:title>
      <image:caption>Bruce Conner, UNTITLED, SEPTEMBER, 1986, 1986. Engraving Collage, 9 ½ x 7 ½ in. Courtesy of Gallery Paule Anglim, San Francisco</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2015/2/20/moca-the-curve-artists-on-art-bruce-conners-shrine-to-seorita-1962</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1433451979342-605Y8VMBGGO6X5SSM3MJ/image-asset.png</image:loc>
      <image:title>NEWS - MOCA, THE CURVE | Artists on Art, Bruce Conner's Shrine to SEÑORITA (1962)</image:title>
      <image:caption>SEÑORITA, 1961 Hair, typewriter ribbon, paper collage, plastic, lipstick, paper, metal, magazine, photograph, nylon, candle, thread, etc. Collection of the Museum of Contemporary Art Los Angeles; © Conner Family Trust, San Francisco, California / Artists Rights Society (ARS), New York, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2014/12/12/artforum-critics-picks-crossroads-kohn-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1477551706431-8VPUYTGU41QIS1IK9I1I/image-asset.jpeg</image:loc>
      <image:title>NEWS - ARTFORUM | Critics' Picks:  CROSSROADS @ Kohn Gallery</image:title>
      <image:caption>Installation view of Bruce Conner: CROSSROADS, Kohn Gallery, 2014; © Conner Family Trust, San Francisco; Courtesy Kohn Gallery, Los Angeles; Photo: Karl Puchlik</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2014/12/5/la-times-review-bruce-conner-parsing-the-nuclear-age</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1431473899580-P886RQIK6JEBMWC23Q2O/image-asset.jpeg</image:loc>
      <image:title>NEWS - LA TIMES | Bruce Conner, parsing the nuclear age</image:title>
      <image:caption>Bruce Conner, CROSSROADS (1976, 35mm, b&amp;w/sound, 37min.); © Conner Family Trust, San Francisco</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2015/2/20/the-daily-bruin-composer-patrick-gleeson-talks-film-scoring-crossroads</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1429046926390-X8I38JM50L30YSM0VCZU/image-asset.jpeg</image:loc>
      <image:title>NEWS - THE DAILY BRUIN | Composer Patrick Gleeson talks film-scoring, 'CROSSROADS' legacy</image:title>
      <image:caption>Bruce Conner, CROSSROADS (1976, 35mm, b&amp;w/sound, 37min.); © Conner Family Trust, San Francisco</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2014/12/5/la-times-bruce-conners-restored-mushrooms-clouds-you-cant-look-away</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1477552050002-X559XR55N1RHCFY86Z5S/image-asset.jpeg</image:loc>
      <image:title>NEWS - LA TIMES | Bruce Conner's restored mushrooms clouds: You Can't look away</image:title>
      <image:caption>The footage Conner found in the National Archives was of the first underwater atomic bomb test at Bikini Atoll in the Pacific in 1946. It contained views of the explosion from every imaginable angle. (Conner Family Trust/Kohn Gallery)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2015/1/21/kohn-gallery-bruce-conner-crossroads-works-on-paper</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1421867497478-HBCVDMBTI5D052DXWM4F/image-asset.jpeg</image:loc>
      <image:title>NEWS - KOHN GALLERY | Bruce Conner: CROSSROADS &amp; Works on Paper</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2014/12/5/watch-an-exclusive-clip-of-artist-bruce-conners-beautiful-and-terrifying-film-crossroads</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1421867091537-LIO71FYYIU26508D0TLX/image-asset.jpeg</image:loc>
      <image:title>NEWS - VOGUE.COM | Watch an Exclusive Clip of Artist Bruce Conner’s Beautiful and Terrifying Film CROSSROADS</image:title>
      <image:caption>Bruce Conner, CROSSROADS (1976, 35mm, b&amp;w/sound, 37min.); © Conner Family Trust, San Francisco</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2014/12/16/bruce-conner-somebody-elses-prints-at-the-ulrich-museum-of-art</loc>
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    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1515133059180-BFQV2OQ29MZHUEOMXKTG/image-asset.jpeg</image:loc>
      <image:title>NEWS - DAILYSERVING | Bruce Conner: Somebody Else’s Prints @ the Ulrich Museum of Art</image:title>
      <image:caption>Bruce Conner, BOMBHEAD, 2002; pigmented inkjet print on paper; 32 x 25 in.; Courtesy of Magnolia Editions, Oakland, CA; © Conner Family Trust, San Francisco / Artists Rights Society (ARS), New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2014/7/18/paula-cooper-gallery-boursier-mougenot-conner-echakhch-gaines-marclay-oldenburgvan-bruggen</loc>
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    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1515218541610-2X1HPWVWGJ7AI1PY987D/image-asset.png</image:loc>
      <image:title>NEWS - PAULA COOPER GALLERY | Boursier-Mougenot, Conner, Echakhch, Gaines, Marclay, Oldenburg/van Bruggen</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2015/2/20/visual-art-source-bruce-conner-and-gay-outlaw</loc>
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    <lastmod>2016-11-02</lastmod>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2015/1/21/artforum-conservation-at-a-crossroads</loc>
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    <priority>0.5</priority>
    <lastmod>2018-01-04</lastmod>
    <image:image>
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      <image:title>NEWS - ARTFORUM | Conservation at a Crossroads</image:title>
      <image:caption>Bruce Conner, CROSSROADS (1976, 35mm, b&amp;w/sound, 37min.); © Conner Family Trust, San Francisco</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2014/7/31/mocatv-mea-culpa</loc>
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    <lastmod>2016-11-02</lastmod>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2014/7/31/mocatv-mongoloid</loc>
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    <lastmod>2016-11-02</lastmod>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2014/7/31/mocatv-breakaway</loc>
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    <lastmod>2016-11-02</lastmod>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2014/7/31/mocatv-intro-three-screen-ray</loc>
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    <lastmod>2016-11-02</lastmod>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2015/2/27/sfmoma-open-space-angels-weve-heardshelley-diekman-on-bruce-conner-and-edmund-shea</loc>
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    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1515101660122-3TBTY3S95P7COG0HU0VX/image-asset.jpeg</image:loc>
      <image:title>NEWS - SFMOMA Open space | Angels we've heard...: Shelley Diekman on Bruce Conner and Edmund Shea</image:title>
      <image:caption>Bruce Conner, SOUND OF ONE HAND ANGEL, 1974 Gelatin silver print photogram Collection San Francisco Museum of Modern Art, © Conner Family Trust, San Francisco / Artists Rights Society (ARS), New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2015/2/24/new-american-paintings-bruce-conner-at-paula-cooper-gallery</loc>
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    <lastmod>2018-01-06</lastmod>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2015/2/20/the-brooklyn-rail-bruce-conner-paula-cooper-gallery</loc>
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    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1476775456481-0JAOUB8PZ5TQLTP0P69C/image-asset.png</image:loc>
      <image:title>NEWS - THE BROOKLYN RAIL | Bruce Conner @ Paula Cooper Gallery</image:title>
      <image:caption>Installation view of Bruce Conner, Paula Cooper Gallery, May 7 – June21, 2013; © Conner Family Trust, San Francisco; Courtesy of Paula Cooper Gallery, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2015/1/21/the-nation-rat-bastard-on-bruce-conner</loc>
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    <lastmod>2017-04-05</lastmod>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2015/1/21/la-times-interruption-unites-minimalism-punk-at-michael-kohn</loc>
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    <lastmod>2016-11-02</lastmod>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2015/1/21/art-in-print-afterimage-the-prints-of-bruce-conner</loc>
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    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1421868825917-FRASBIA2SV6M5YNDKBB5/image-asset.jpeg</image:loc>
      <image:title>NEWS - ART IN PRINT |  Afterimage: The Prints of Bruce Conner</image:title>
      <image:caption>Bruce Conner, BOMBHEAD (2002); pigment inkjet print on Somerset paper with hand-coloring; image 31 1/2" x 25" inches, sheet 35" x 32", Edition of 20, Signed lower right in pencil; Printed by Donald Farnsworth at Magnolia Editions, published by the artist and Magnolia Editions, Oakland, CA; © Conner Family Trust, San Francisco; Courtesy Senior &amp; Shopmaker Gallery, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2015/1/21/artslant-the-other-others</loc>
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    <lastmod>2016-11-02</lastmod>
  </url>
  <url>
    <loc>http://michelle-silva.squarespace.com/news/2014/7/31/av-club-bruce-conner-the-art-of-montage</loc>
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    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533c70d1e4b0e0ebd51f8903/1515221079375-CD4WE0OFPOFQ32AMNYKT/rprt_shrt_flt_txt_bt1886_v1e1c1_050517.mov.01_09_02_09.Still026.jpg</image:loc>
      <image:title>NEWS - A.V. CLUB |  Bruce Conner: The Art of Montage</image:title>
      <image:caption>Bruce Conner, REPORT (1963-1967, 16mm, b&amp;w/sound, 13min.); © Conner Family Trust, San Francisco</image:caption>
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      <image:caption>Still from THE WHITE ROSE (1967) in Film Forum’s Bruce Conner retrospective; Courtesy of the Conner Family Trust, San Francisco; © Conner Family Trust, San Francisco</image:caption>
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      <image:title>NEWS - THE VILLAGE VOICE | Before There Was MTV, There Was Bruce Conner</image:title>
      <image:caption>Stills from Bruce Conner's A MOVIE (1958, 16mm, b&amp;w/sound, 12min.); All stills courtesy of the Conner Family Trust, San Francisco; © Conner Family Trust, San Francisco</image:caption>
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      <image:caption>EVE-RAY-FOREVER (1965/2006, three-channel video installation, b&amp;w/silent, 3:42 min./4:11 min./3:45 min. looped); © Conner Family Trust, San Francisco</image:caption>
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      <image:title>NEWS - THE NY TIMES | Bruce Conner: ‘Falling Leaves: An Anonymous Memorial’ @ Paula Cooper Gallery</image:title>
      <image:caption>Installation view of Falling Leaves: An Anonymous Memorial, Paula Cooper Gallery, August –  September 24, 2011; Courtesy of Paula Cooper Gallery; © Conner Family Trust, San Francisco</image:caption>
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      <image:caption>© Frank English; Courtesy Conner Family Trust, San Francisco and Paula Cooper Gallery, New York</image:caption>
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      <image:caption>Left: Still from Bruce Conner's A MOVIE (1958, 16mm, b&amp;w/sound, 12min.); Right: Still from Bruce Conner's BREAKAWAY (1966, 16mm, b&amp;w/sound, 5min.); All stills courtesy of Conner Family Trust, San Francisco; © Conner Family Trust, San Francisco</image:caption>
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      <image:caption>A still from THE WHITE ROSE in Film Forum’s Bruce Conner retrospective; Courtesy Conner Family Trust/Film Forum; © Conner Family Trust, San Francisco</image:caption>
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      <image:caption>Bruce Conner, THE WHITE ROSE (1967, 16mm, b&amp;w/sound, 7min.); © Conner Family Trust, San Francisco</image:caption>
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      <image:caption>FOUR VIEWS OF THE BAKER ATOMIC BOMB TEST HELD ON JULY 25, 1946 AT BIKINI ATOLL, MARSHALL ISLANDS</image:caption>
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      <image:caption>Bruce Conner, LOOKING GLASS, 1964; Collection San Francisco Museum of Modern Art, San Francisco; Gift of the Modern Art Council; © Conner Family Trust, San Francisco</image:caption>
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      <image:caption>Bruce Conner, REPORT (1963-1967, 16mm, b&amp;w/sound, 13min.); © Conner Family Trust, San Francisco.</image:caption>
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      <image:caption>MARILYN TIMES FIVE (1968-1973, 16mm, b&amp;w/sound, 13.5min.); © Conner Family Trust, San Francisco</image:caption>
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      <image:caption>Dennis Hopper, Bruce Conner (in tub), Toni Basil, Teri Garr and Ann Marshall, 1965</image:caption>
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      <image:caption>Fax from Bruce Conner to Bruce Jenkins November 18, 2000.</image:caption>
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      <image:caption>Bruce Conner, CROSSROADS (1976, 35mm, b&amp;w/sound, 37min.); © Conner Family Trust, San Francisco</image:caption>
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      <image:caption>Bruce Conner, REPORT, 1963-1967 (16mm, b&amp;w/sound, 13min.) © Conner Family Trust, San Francisco.</image:caption>
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      <image:caption>Bruce Conner, BREAKAWAY (1966, 16mm, b&amp;w/sound, 5min.); © Conner Family Trust, San Francisco</image:caption>
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      <image:caption>Bruce Conner, LOOKING FOR MUSHROOMS (1959–67, 16mm, color/sound, 3min.); © Conner Family Trust, San Francisco</image:caption>
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      <image:caption>Bruce Conner, Frankie Fix, 1997; Photocopy on Bristol paper and mixed media; 48 × 40 inches; © Conner Family Trust, San Francisco; Courtesy of Curt Marcus Gallery.</image:caption>
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