painting

SF BAY WINDOW | Review by R.H. Hagan

The bathroom humor on the reverse side of Conner’s collage is in strange but interesting contrast to the studied subtlety of the obverse – with its formalized shapes and textures achieved with materials that can only be described as debris. The duality in the collage – even though Conner may have meant it as a double edged joke – still points up a duality of purpose and of practice which is evident in the other paintings in the show.

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