Outside a fat man’s clothing store in this city is a sign proclaiming, among other things, that there would be no war if all the world were fat. Not a particularly original idea, but it might be worth bearing in mind in any future attempt at world creating. It might also be a good plan, next time around, to endow Good with some of the fatal allure that Evil has, and which is so alarmingly evident in these sculptures. Actually, there are only two pieces of true sculpture; the rest are collages, and assemblages of miscellaneous items fused into horrendous reliefs and free-standing objects, all of which exude a rampaging, cancerous life. So good are they that the identity of the ingredients is obliterated, and it requires some intellectual effort to discern the lampshades, jewelry, feathers, etc., that created this atmosphere of decay.
Read MoreARTS Magazine | Review of Bruce Conner Show at Alan Gallery NYC
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