… But I saw a little film by Bruce Conner, called “5:10 to Dreamland,” which is just a little film of seven minutes, and it contains very few images, and they are not too spectacular. But Bruce Conner collages them in ecstatic orders and they work in miraculous ways. The film has no real subject, at least not one that would be immediately visible. It’s just a series of images – a canal, a road, a mysterious white receding shape, a girl with a ball in front of a mirror, a slow-motion water splash, some clouds. The film is tinted soft brown. The girl, the tint, the splash remind one of Joseph Cornell. But it’s a Conner film. A Conner film in a Cornell key.